The Ancient Naples Collection
in the National Museum
The “first Naples,”
the city of Parthenope (named for the siren in Greek mythology) was
located on the Pizzofalcone
hill (alias Mt. Echia and Monte di Dio), overlooking
the sea and the small island of Megaris, upon which the Egg Castle would later be built.
Actually, Parthenope still is down there
somewhere, although you can't really find it anymore; the
hill today is totally overbuilt and overgrown with 2500
years of everything, roughly 100 human generations of
stuff. (That would be your great-great-great...etc.) It is
not evident, but it makes sense, that these ancient
Parthenopeans should have had cemeteries somewhere. Important:
Ancient grave sites contained a multitude of artifacts
such as jewelry, pottery, and other items that shed light
on the ways of life of ancient peoples. Such sites on the
Pizzofalcone hill began to be excavated in about 1950, and
thus the National Archaeological Museum in Naples contains
a collection entitled "Ancient Naples". It holds, arranged
in chronological order, some of the most important finds
from the cemetery of Parthenope, as well as from some
other ancient grave sites.
Evidence from these
sites as well as from some ancient literary sources
suggest that the first settlement was founded by colonists
from either Rhodes or nearby Cuma; Parthenope seems to
have been occupied from the mid-seventh century to the
mid-sixth century BC, more than a century before the
adjacent “new city” of Naples was founded, probably by
Athens and Syracuse with the support of Pithecusae (the Greek
settlement on Ischia). (Yes, you--or most likely someone
else--really can tell all that from studying
ancient pottery!) Evidence from cemeteries and from coins
has supported the idea that the second city, Naples,
itself, was founded in the years immediately following the
naval battle of Cuma (474 BC) in
which Cuma and its allies, together with Syracuse,
defeated the Etruscans. Recent
excavations, however have brought to light a stretch of
fortification wall in vico Soprammuro a Forcella (off of
via Duomo, not far from the current coast line) datable to
around 500 BC. This pushes the traditionally held date for
the foundation of the city of Naples back a bit earlier,
to at least the late sixth century BC (that is, between
550 and 500 BC). In any event, Parthenope and Naples
eventually grew together to form a single urban unit.
The collection in the museum opened
in 1999 and is based, in part, on discoveries at the
cemeteries mentioned above. The evidence from such sites
is understandably fragmentary, and it has not been
possible to reconstruct exactly how it all fits together;
yet the fragments are interesting and are of both Greek
and native Italic/Campanian
origin. The room also contains pottery fragments found in
the street, Via Chiatamone, directly below Pizzofalcone,
items that very probably simply slid down the hill.
The collection also has
fine intact examples of Attic (Athenian) pottery found in
the cemetery of Castel Capuano, the old law courts of the
Aragonese city, as well as from other early sites in
Naples. The pottery on display in the Ancient Naples rooms
include an Attic red figure lekythos (oil flask)
with Eros and a girl dating to the end of the fifth
century BC. There is also a particularly beautiful Attic
red figure amphora (image, left) showing the
birth of Helen from the egg with her brothers the Dioscuri,
Castor and Pollux, dated to the late fifth century BC. The
item comes from a burial in which it functioned as a
container for the ashes of the dead. The main side depicts
the birth of Helen. Apart from the shape of the vase and
the stylistic characteristics of the decoration, the
dating is also based on the chronology of Euripides’ Orestes
which deals with the subject and was performed at
Athens in 409 B.C.
The same room also
contains ceramic female busts and heads probably connected
to the cult of Demeter from Sant’ Aniello a Caponapoli
(an area and church near the high NW corner of the
ancient city, where the acropolis stood, almost across the
street from the modern National Museum) dated to between
the late fifth century BC and the late fourth century BC.
The Greek phase of the cemeteries is extremely
interesting, in particular the monumental tombs, dating to
between the fourth and third centuries BC, excavated from
the tuff of the hill that rises up towards Capodimonte. As well, the
collection shows that certain non-Greek customs spread to
Naples, such as that of placing the crater (the
vase used to mix wine for the funeral ceremony) by the
feet of the deceased. This custom was alien to the Greek
world and can be traced to Etrusco-Campanian peoples,
highlighting the mixed cultural models caused by the
presence in the city of different ethnic groups, those of
both Greek and native Campanian origin.