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1. The Angevin Fortress (Maschio Angioino)
main index © Jeff Matthews entry Feb. 2003 update April 2017
there are two entries on this page
I finally got to take a tour of the Maschio Angioino, the great Angevin Fortress, down at the port of Naples. It's the first time that I have actually been in, around and over the premises and allowed to indulge my inner twelve-year-old—that is, to get up there on the ramparts behind the battlement where they keep the merlons, crenels, ballistrarias and bartizan turrets. For those of you who know less about medieval fortress architecture than you should, that is the place you stood to pour the boiling oil on the invaders.
The fortress is also
called the Castelnuovo (New Castle) to
distinguish it from the older Castel
dell'Ovo. It was built by the Angevin
King, Charles I, as the new royal palace when he
moved the capital of the kingdom from Palermo to
Naples in the 13th century. Only a few bits of the
original structure have remained over the centuries,
such as the Palatina Chapel. The original structure
was built in only four years and was finished in
1282. It then fell into disrepair, accelerated by an
earthquake; thus, the structure you see today is a
makeover started by the Aragonese in the 1450s and
completed by the Spanish in the mid-1500s.
The castle has seen a number of events highly significant in the history of the city. In 1294, the castle was the scene of the abdication of Pope Celestine V. At least in Dante's version of the afterlife, Celestine resides in Hell. The Divine Comedy places him just past the gates of Hell among the Opportunists—(in John Ciardi's translation)—"...the nearly soulless whose lives concluded neither blame nor praise...[and in reference to Celestine]...I recognized the shadow of that soul who, in his cowardice, made the Grand Denial...". (To play the Pope's advocate, I remind you that Dante was really upset at the fact that Celestine, by quitting, left the door open to the subsequent Pope, Boniface VIII, corrupt and, in Dante's view, responsible for much of the evils that then befell Dante's city of Florence.)
Here, too, in 1486, the infamous Baron's Plot against the king was brought to a conclusion with the arrest of the conspirators. Also, in the 1300s, during the great flowering of Italian medieval literature, King Robert of Anjou received such eminent poets as Petrarch and Boccaccio. Inside the castle is a vast courtyard, a 14th century portico, and the elegant facade of the Palatina Chapel. Although Giotto and his pupils did the original frescoes inside the chapel, very little of their work remains today. Much of the sculpture seen on the grounds is from the Aragonese period (the mid-1400s) and is the work of disciples of Donatello.
Popular legend says that a crocodile used to prowl the dungeon; it feasted on upstart barons who incurred the wrath of the Aragonese king. Accepting the idea of a renegade Egyptian crocodile jumping ship in the port of Naples in the Middle Ages and settling down in the castle requires some suspension of disbelief, admittedly. Yet, it's a good story and no doubt served to keep potential trouble makers in line. The moat that surrounds the building was, apparently, just a defensive ditch and was never filled with water.
Very recent archaeology
has laid bare the structures that were on the site
before the Angevins moved in to build their castle:
(1) the foundations of a Franciscan convent that was
torn down (the residents were given property for a
new convent that still stands, the Church of Santa Maria La Nova);
(2) Roman baths. The site was part of a vast complex
running along the shore to the height of
Pizzofalcone and around to the small isle of
Megaride, site of the Egg Castle
and presumed site of the villa of Licinius Lucullus,
the Roman consul whose festive life-style has given
us the expression, "Lucullan splendor".
As of this writing,
considerable work has gone to opening the fortress
to the public and to push the structure back into
the historical consciousness of Neapolitans. It is,
after all, the first royal residence in the city,
even though it was overshadowed by later Spanish
palaces and, then, the great Royal Palace of the
Bourbons. At present, The Palatina Chapel is open,
as is the Civic museum, which houses an art
collection. Also, a part of the collection of the
Filangieri Museum from downtown Naples has been set
up on the premises while that museum is closed for
repairs. The castle hosts periodic conventions, and
the Naples City Council convenes there.
2. The Angevin Fortress, New Tours, and the Holy Grail added April 2017
Friends at Napoli Underground remind me that the Angevin Fortress (Maschio Angioino) at the main port has begun a new series of guided tours of sections of the premises previously open only to prisoners and guards (and maybe one very large crocodile!) a few hundred years ago—the basements, dungeons and whatever else is down there. The project is called Timeline Naples. That is also the name of the association putting on the show under the wider auspices of a project entitled “The Grail at the Maschio Angioino.”
By Grail is meant the Holy Grail or Holy Chalice, the drinking vessel used by Jesus to contain wine at the Last Supper and, in the later Arthurian legends of the Middle Ages, the cup used to collect the blood of Christ at the Crucifixion. For the faithful, it is the most treasured of all Christian relics and has inspired centuries of literature, music, and art. If you are wondering what any of that has to do with Naples, know that tradition places the Chalice in the hands of Joseph of Arimathea who took it to Hispania where it wound up in the hands of Alfonso the Magnanimous (1396-1458), numbered as Alfonso I when he became king of Naples. He is said by local tradition to at least have been in possession of the cup. That is all you need to get some great tours going 500 years later and it looks as if that is what they have finally done here.
[Also see a discussion of the book Scythia to Camelot: Radical Reassessment of the Legends of King Arthur, the Knights of the Round Table and the Holy Grail, by C. Scott Littleton and Linda A. Malcor at this entry. They try to convince you that all things Arthurian are really from Naples.]The main Timeline tours started last weekend, 15 April. On Sat and Sun [from their publicity]...
...visitors descend into the underground chambers of the Angevin Fortress for a journey that starts with the vestiges of ancient Rome. They will pass along the area directly below the halls of the Aragonese armory and then into the Renaissance Naples of Alphonse I, so-called “The Magnanimous,” and of his son and heir, Ferrante of Aragon...the hope is to let visitors come into contact with this important part of the archeological heritage of the city of Naples and to enjoy the thrill of a hands-on experience—to touch history physically... It is a museum within a museum, displaying the first plant of this structure built at the behest of Charles I of Anjou beginning in 1279. The leitmotiv of the tour is, indeed, a trip through time...a chance to watch the unrolling of one century after another in the same place
The other theme tours are a bit more complicated; that is, they may require some caving equipment so you can get down into old escape tunnels. Their ads say not to worry, you are in hands experienced guides. The title of these other tours are:
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