Naples:life,death &
                Miracle contact: Jeff Matthews

entry April 2015 & June 2019

There are two entries on this page: (1) directly below, (2) the Hirpinia Museum in Avellino

1.

Set in the Serino woods of the Picentine mountains, just below Avellino, sits a mysterious set of ruins, the walls of the Civita (city) di Ogliara. I'm not sure if it's all that mysterious, but a lot of persons over the years have wanted it to be, so let's see. The walled site is now the centerpiece of the Archaeological Park of Ogliara, within the Picentine Regional Park (the green area, image, right), at 615 meters/1845 feet a.s.l. in the upper Sabato river valley, thus in the area that in ancient times made up Hirpinia, roughly the area of the modern Italian province of Avellino.

The inhabitants, the Hirpini, were one of the pre-Roman Italic tribes, off-shoots of the Samnites, a parent group of many southern tribes that spread out in Italy as this particular branch of Indo-Europeans expanded. (Music lovers, I used to think that Igor Stravinsky's The Rite of Spring centered on the rituals that drove this expansion. Great bassoon solo at the beginning!...but, alas...) In any event the Hirpini were already established in the mountains around Avellino by 350 BC. They spoke Oscan (a sister—or maybe cousin
of Latin). Their name, Hirpini, comes from the Oscan word for 'wolf', the tribal totem and the creature that led them to these mountains, they say.

So, to the mystery of Ogliara. The site has been the focus of intelligent anthropology since around 1900 and of modern archaeology and even reconstruction since the 1970s. By now, the standard short descriptions tell you that the Civita d'Ogliara was a Longobard castrum (castle, fortress) possibly built on the site of an ancient Hirpini settlement called Sabatia (or Sabatium), mythical home to the original inhabitants. The descriptions then emphasize that the mythical part is almost certainly just that. No one knows.


The physical evidence, as it stands today, is that the wall of the castrum is over two km in circumference. The walls present towers and two prominent gates at the NE and SW. The ruins show evidence of the reuse of Roman materials, particularly a rectangular stone block, originally part of a mausoleum. The block (image, left) is engraved with the image of a bull. It's not a lot to go on, but here are the theories that try to explain what it all means. I have listed them with the least likely ones first. All of these are dealt with at length in Storia di Serino by Filomeno Moscati (2005, Edizioni Gutenberg, Penta di Fisciano, Salerno).


(1) – The silly one first. From a scholar, Piobati, in 1820, who says that the site is even older than ancient Hirpinia. It was, in fact, built by the Trojans who accompanied Aeneas to Italy after the Trojan War. You can add this one to all the other sites (including Rome) that make the same claim.

(2) - It is, in fact, the original city of Sabatia, “mythical” home of the Hirpini. The thing wrong with this theory is that there is no evidence for it, even if we like the idea that mythology is, in some loose fashion, connected to fact. It is strange, indeed, that there is no mention of a Sabatia or Sabatium or a city of the Hirpini in the writings of any ancient Greek or Roman historian. (It is true, though, that a lot of ancient writings have not survived.) There is one single reference by Livy (60 BC – AD 17) (in Ab Urbe Condita, XXVI,34) to a Sabatini people: “...Campanos omnes Atellanos Calatinos Sabatinos...” [all Capuans, Atellani, Calatini, Sabatini...]. That's it. In all of the ancient writings that we have, that is the one reference to a people in Campania whose name may have something to do with the local river, the Sabato, but there is no mention of a city. The ide
a that there was even an ancient city called Sabatia at all seems to have surfaced among Italian writers of the 1500s and 1600s.

(3) -  Sundry miscellaneous theories in the department of “Well, maybe...)
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(a) it was destroyed by Hannibal during the second Punic War (219-201 BC);
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(b) or by the Romans to punish them for having sided with Hannibal;
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(c) or it was destroyed in the Social War (98-88 BC)* by the dictator, Sulla. Again, these are unattested -- there is no extant ancient document that actually makes those claims.

*Social War. The Social War was between the Roman Republic and several of the other cities and tribes in Italy, which prior to the war had been Roman allies for centuries. The Italian allies wanted Roman citizenship and the right to vote at Rome itself . The Romans said 'no'. This led to a devastating war and eventually resulted in a Roman victory. However, Rome then granted Roman citizenship to all of its Italian allies, leading to a complete Romanization of Italy. The Etruscans and other Italic peoples became Romans and their own languages and cultures extinct.

(4) - This one isn't bad because it was from a reputable scholar I.V. Woolley in “La Civita in The Valley of the Sabato”, in Papers of the British School at Rome, ed. Macmillan, London, 1910). His idea was interesting, but it does not now represent the consensus of modern scholarship. He examined the surroundings, the walls, the towers, construction material, crockery shards and noted the fact that there seemed to be no buildings within the walls. He concluded that the site could not have been an original Roman construction, much less a Samnite one. His hypothesis was that it was built at the time of the Goth invasion of (410 AD) as a refuge for inhabitant of the area. (Note that this does not exclude the idea that the same site was used later by the Longobards. So as a runner-up, I like this.)

(5) The winner. The Civita d'Ogliara is what most scholars since the late 1800s and early 1900s, including Francesco Scandone and Theodor Mommsen, have claimed, and what recent work since the 1970s seems to show: The site was a Longobard fortification. Whether it was anything else before that is likely to remain a mystery, but the Longobard connection is mentioned in period documents, and is, indeed, interesting.



There is a general item on the Longobards here, but briefly:


The Lombards invaded Italy from the north in the mid-500s AD and were a loose-knit confederation in virtually all of Italy from north to south for two-hundred years. The northern part was eventually taken by Charlemagne in 774, leaving the south to its own devices. The south then underwent a civil war in 839, producing a north-south division of its own centered on Benevento and Salerno, respectively. The division was in the hills of Hirpinia. This castrum is apparently one of the fortifications set in the area to mark the borders. (“Good fences make good neighbors.”) The south (Salerno) then developed separately as the duchy of Salerno until taken by the Normans in the 11th century, who also went north to mop up the Benevento portion. All of that, the territories of Salerno and Benevento, is what eventually became the kingdom of Sicily and then the kingdom of Naples (until the unification of Italy in 1861).

The only real mystery about the Civita d'Ogliara as a Longobard site is the exact function; that is, was it on one side or the other? Or was it more interesting than that, maybe a shared “border town”? The layout of the two main gates pointing to Benevento (NE) and Salerno (SW) offer that intriguing possibility. There is no real explanation as to why it disappeared, but if it was a community connecting both parts of the old Longobard holdings, it may simply have run out of reasons to exist when the Normans took over.

Why is there such use of Roman materials (if that is what they are)? It's possible that the Romans had a structure in these hills (although their documents --at least the ones we have-- don't mention it). It is also possible that the Longobards dragged that stuff up into the hills from elsewhere. Both possibilities are plausible. You have to live with the uncertainty, the mystery. That's fine. I have always loved mysterious cities
—Oz...   Shangri-La   ...Sabatia.

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2.    The Hirpinia Museum (museo irpino) in Avellino 

There has been in the last few decades in Italy a welcome reawakening of interest in local cultures and their ancient roots. This interest shows itself through so-called "province museums." I don't know that every one of the 100+ provinces* in Italy now boasts its own museum to showcase local culture, but it wouldn't surprise me. Fortunately, the five provinces in the Italian region of Campania (of which Naples is the capital) have some good examples. One of the best is the Hirpinia Museum in Avellino. (I wouldn't discourage you from visiting the overcomplete National Archaeological Museum in downtown Naples. Indeed, if you have been in that place, you are probably still in there wandering around. No one will ever find you. You are thus not even reading this. Keep me posted.

*Information on the Italian administrative units within the nation of Italy as a whole -- that is, the regions, provinces, and municipalities (cites and towns) and on the ancient historical geographical names still in use is here. This will answer the burning question, Why is a museum in Avellino called the Hipernia museum? Ah-hah, this is where your education in local culture really starts. (You can get started by reading the entry directly above this one called "Hirpinia and the Lost Walls of Ogliara!"

The museum itself is now in two facilities in Avellino. One is the "Palazzo" of Culture, the result of relatively recent "Rationalist" architecture (from 1966) and, two, on the premises of a former Bourbon prison. (The prison gave up the ghost when the Bourbon dynasty that ruled the Kingdom of Naples went defunct at the unification of Italy in 1860). In those two museum facilities you will find everything you want to know about Avellino and the surrounding area. This includes an archaeology section; a display on the role of the area during the Risorgimento (the movement to unify Italy; a lapidarium (that is, stone monuments and fragments of statues, bas reliefs, tombstones, and sarcophagi); an art gallery representative of the province; a collection of oriental pottery; an archaeological library; and photographic archives.

Contact information is currently (June 2019) sketchy. Don't just show up. Call first:
Museo irpino (main building), Palazzo della cultura, Corso Europa 251- Avellino, tel. 0825.790539

The ex-Bourbon Prison, Piazza De Marsico- Avellino, tel. 0825.790733


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