The easiest way to
drive to Bagnoli from anywhere on via Posillipo, the long coast
road that moves up from Mergellina,
has always been to drive up to the high west end of
the road and over the cliff (using the convenient
Coroglio road, of course). It winds down the other
side of the Posillipo hill and puts you out at the
site of the old steel mill near the isle of Nisida, then on the road
through Bagnoli and
along the coast to Pozzuoli.
The Coroglio road has always been difficult to
maintain, being subject to landslides from the
cliff-face above. That cliff is webbed with steel
netting for much of its length. The road is closed
again after a landslide and there is no forecast on
how long it will take to reopen. (In this photo,
taken from the North Pier in Bagnoli, the Coroglio
road starts at the buildings at sea level and goes
through a series of switchbacks, running past the
entrance to the old Roman
Seiano grotto (visible low-left of center in
photo) and finishes out of view in the upper left on
top of the cliff.)
A letter from
Giuseppe Verdi(image), dated May 27,
1861, addressed to Leopoldo Tarantini, the
administrator of the San
Carlo theater at the time, has been acquired
from a private party for 4 million euros (about 5
million dollars) by the Campania region of Italy (of
which Naples is the capital). The letter will be on
display in the Royal Palace.
In the letter, the composer expresses his regret
that he will unable to conduct his Un Ballo in maschera
at San Carlo after having initially accepted the
invitation to do so; he speaks of the possibility of
conducting the work at San Carlo at some later date.
Both the date and the opera are interesting. (See this link.) The Kingdom of
Naples fell in February of 1861 at the Siege of Gaeta; the new
Kingdom of Italy was proclaimed immediately. The
first opera in the new pan-Italian San Carlo was
Verdi's Battle of
Legnano (which had actually opened in
January, while the siege in Gaeta was still going
on. The opera program of that season had nothing to
do with the Bourbons; Garibaldi had taken Naples in
September, 1860. Maybe he liked the Battle of Legnano.)
Verdi's Un Ballo
in maschera had originally been composed
for San Carlo in 1857 but was rejected by the
Neapolitan censors. It was originally called Una vendetta in
domino and dealt with the
assassination of Swedish king Gustav III in the
1790s. After being watered down with a different
title, time-frame and location, the work still
didn't pass censorial muster, so Verdi broke his
contract, sued San Carlo and had the work performed
in its censored version (now the traditional one) in
Rome in February, 1859. The letter came only a few
months after the unification of Italy and one
wonders whether the letter had to do with which
version of the opera was under discussion. In any
event, the revised Un ballo in maschera played at San
Carlo the next season (1861/61) under another
conductor.
"Carnevale, ogni
scherzo vale" is the Italian expression that
indicates that you can play any prank you want on
Mardi Gras, sort of like a combination of April Fool's
Day and Halloween in other places. Such pranks usually
have to do with throwing flower and eggs on people
—hah-hah— and now inflicting even more damage with
handy-dandy spray paint cans. No more. (Sure.) The
mayor has just signed a law that imposes a 200-euro
fine on offenders (or their legal guardians, since
most offenders are minors) and €400 for repeat
offenders.
How
about it, punk?
Do you
feel lucky?
Neighborhood Watch
patrols in Naples are about to get the go-ahead from
the city government. No one is sure if it's a good
idea. Theft and vandalism have been such a problem
that shop-owners along the east end of Corso
Umberto, near the train station, have banded
together and proposed the idea of heavily armed,
"Make-my-Day"-vigilantes stringing up ne'er-do-wells
...no...no... of unarmed civilian patrols whose mere
presence will deter evil-doers. There is a model for
this in some towns in northern Italy. The Vatican is
against it, but I don't know why.
The restored church
of Sant'Anna dei Lombadi,
also known as Santa
Maria di Monteoliveto has been reopened for
visitors. Even in a city full of historic churches,
this one is particularly worthwhile. (See the link.)
The umpteenth
on-again plans for the future of Bagnoli are now off
again. You can catch up on the past at Bagnoli and Bagnoli, future (1)(2). In any event,
the paper reports this morning that there is no
money for anything, not for building the new boat
harbor (the one that never got built because Naples
lost out in its bid for the 2007 Americas Cup) and
certainly not for the "Napoli Studios," the film
studio that was to be a "Cinecittà in the shadow of
Vesuvius" (in reference to the famous film complex
in Rome) built on the gigantic ex-premises of the
defunct Italsider steel mill. Rest assured, says
someone, that the land will be cleaned up in time to
be used as a seaside venue for something called
Culture Forum 2013.