(May 1) - The island of
Ischia reports that it
is expecting a 100% increase in the number of those
gigantic cruise ships to dock at the island during
the season just underway. Last season, nine docked
at Ischia; this season there will be 18. "Gigantic"
usually means that they are too big to move into
such harbors as Ischia, Capri, and Sorrento; they
may be as big as the ship
described here. In terms of size and capacity,
they are comparable to modern aircraft carriers.
They anchor off shore and send the consumer zombies
ashore in smaller craft.
(May 8) - The annualMonuments in May
cultural festival has started. I've noticed a
greater number of those red double-decker
sightseeing busses moving around the city. Depending
on the current state of rubbish removal (precarious,
at best) and the part of town, sightseers may enjoy
what they see. Most museums and monuments are open
for visitors. One of the best for concerts and
exhibitions is the 23rd annual Festival of the Vesuvian Villas, hosted
in some of the historical residences east of the
city in the so-called "Golden Mile" along the coast.
(See that link for a general entry on the villas.)
As usual, there will also be a regatta in the waters
off of Vesuvius. The Vesuvian Villa Foundation
sponsors the yearly event. Their events office is in
Ercolano. Their
website has a complete itinerary.
(May 12) -
The papers announce that "the" Goodyear blimp will be over
—and even moor at— Salerno today on its way to
Reggio Calabria as part of a Goodyear publicity
campaign to hype safe driving on the roads of Italy.
The phrase "Safety together" will be emblazoned on
the side of the craft beneath the familiar Goodyear
logo of the winged sandal. By all means, if you are
driving on the autostrada and you see this
thing overhead, take both hands off the wheel, roll
down the windows, look out, point up and shout "Hey!
The Goodyear blimp is advertising driving safety!"
Though the paper says the Goodyear blimp, I imagine the
craft is simply one of those that Goodyear has
purchased from ABC (American Blimp Corporation), two
of which are stationed in Europe: The Spirit of Europe I
and The Spirit of
Europe II. The Goodyear corporation no
longer makes the craft although the company had an
impressive history with air-ships in the 20th
century. (See "Whatever
Happened to the Goodyear blimp?" Those with
nostalgia for the grand behemoths of the sky of the
1920s and 30s may see "Zeppelin
Attack on Naples" and this item on the anniversary of the
Hindenburg disaster.
(May
20) - The
hydrofoil service from the small port of Mergellina
(photo, right) to Capri, Ischia and elsewhere was
suspended earlier this year. I have not heard a
single opinion that it was a good idea to drop that
service. The port is well served by the nearby
Mergellina train station; whether you were a visitor
to Naples or a local from almost anywhere in the
area, Mergellina was the most convenient place to
embark for the islands. The small port was clean,
well-managed and easy to get to, and you avoided
the grime and chaos of Molo Beverello at the main
port of Naples a mile to the east. Now, all
hydrofoil service is from Beverello. Just getting to
the main port is a pain in the neck. The adjacent
Piazza Municipio and portside roads are still torn
up for Metro construction and will remain so for
another few years. You'll probably take a cab.
Cabbies may be the only ones who approve of the
whole idea. Local comment also points out that
tourists are not the only people who go to the
islands; there is significant movement of
Neapolitans and even residents of the islands, who
were served by a convenient port in the western
section of Naples. It is also a grind to come into the main
port and then get anywhere else. If you want
to go west (left, coming out of the port), say, to
get to the Mergellina, Chiaia or Posillipo parts of
Naples, you have to turn east (right) and go halfway
to Sicily before the cock-eyed one-way streets let
you turn around and go back. No matter how you slice
it, you are stuck with the main port of Naples, and
it is a mess.
(June
1) I
note that at least one composer without honor in his own land, the
Neapolitan, Saverio
Mercadante (image, right), enjoyed a
successful revival this year of his last opera, Virgina, at the
Wexford Opera Festival in Ireland. The work
premiered at San Carlo in Naples in 1866. Mercadante
can be said to have had a successful career with a
number of his works premiering at San Carlo, going
back to Didone
abbandonata and Ipermestra in 1824. Yet,
Mercadante was almost an exact contemporary of
Rossini, and Mercadante's music from 1840 until his
death (1870) was also running head-to-head with that
of Verdi. That's tough competition. Mercadante was
also head of the Naples Music
Conservatory for a while as well as the
musical director of the San
Carlo Theater. There is also a Mercadante theater in
Naples.
(June 15) Many are surprised that there is an
organization called ex-Don (ex detenuti napoletani organizzati)
[Organization of Neapolitan ex-Convicts]. Even more
surprising is that fact that some of them who have
done their time and paid their "debt to society"
have come forward with a plan they will offer to the
new mayor, Luigi de Magistris —to wit, they have
offered to serve tourists arriving at the infamous
port of Naples. This means they will tell the sheep
to take their damned €5,000 Rolex watches off their
wrists and then shepherd the visitors where they
want to go —a local restaurant, the historic center,
etc., all the while keeping an experienced eye out
for pickpockets and purse-snatchers of the non-ex
variety. They are not trying to replace the police
at the port, says one of the planners, but "we need
jobs and this is a valuable service we can do." All
of this is in the interest of avoiding a repetition
of the tragedy a couple of weeks ago when a tourist
was mugged at the port for his watch, fell and hit
his head and then died in a local hospital.
(June 18) Tomorrow sees the Naples leg of the
FINA (Fédéracion
Internationale de Notation) [International
Swimming Federation] Open Water Swimming Grand Prix
2011. It is one of 11 stages in this year's
championship and is the only Italian leg of the
event. Like its 45 Capri-Naples predecessors, the
course is 36 km/22.4 miles of open water from the
isle of Capri to the breakwater and beach along via
Caracciolo in Naples. The first Capri-Naples race
was in 1954 and, with a few years off now and then,
has remained a fixture in the athletic life of the
city. One favorite tomorrow is the Italian (from
Florence), Andrea Volpini, currently leading the
rankings after four events; he finished third in
this same race last year. He says he's afraid of the
cold but not the distance; after all, he won the
Hernandarias-Parana race in February in Argentina.
That was 88 km/55 miles. Yes, you say, but that was
in a river going downstream, so maybe you can float
along sometimes. No, they swam in the Parana river!
That sounds too much like the Piranha fish for me.
You'd better not float along if you know what's good
for you.
(June 19) The race was won by Rotislav Vitek
of the Czech Republic in 7h 05' 49'', just 11
seconds ahead of the Italian, Volpini. After 7 hours
in the water, it came down to a sprint. Vitek won
this race in 2009, as well. The winner of the
women's division was Pilar Geijo of Argentina; time:
7h 34' 21".
(July 27) I am not sure why a
strike of a union named FIALS (Federazione Italiana
Autonoma Sanità) [i.e. Independent Italian Federation
of Health Workers] should cause the San Carlo
orchestra to be unable or unwilling to play, but that
is what happened last week at the San Carlo Theater.
Whatever it was, instead of calling off the
performance of Leoncavallo's I Pagliacci, the company performed
only with piano accompaniment. It was unorthodox but
very well received.
(July 30) The seaside town of Monte di
Procida at the western end of the gulf of Naples has
renamed the main square in the Cappella section of
town after Michele
Sovente, hometown poet who passed away a
few months ago at the age of 63. He was considered
one of the most original dialects poets in Italy in
recent decades. He started publishing in 1978 and
then wrote books of verse and criticism. He has been
translated into Greek, French, English, and, of
course, Italian. (It bears repeating that some
Italian dialects are so different from the standard
language that Italians from other regions require
translation.) Remarkable about Sovente was his
mixing of dialect (his Monte di Procida/Cappella
brand of Neapolitan), standard Italian and what he
called a "synchretistic Latin, more dreamed and
imagined than really existed...". (Readers should
note the importance of dialect literature in Naples
and elsewhere in Italy, at this
link.)