Monasteries
These four items appeared separately in
the original version of the Around Naples
Encyclopedia on the dates indicated. They have
been consolidated onto a single page here.
(1) directly below
(2) Camaldoli
(3) S.
Maria la Nova (4) Cilento
Oct. 2002
1.
I see that the university my wife graduated from
here in Naples has started a new degree program in
art restoration. That's a good idea in a city with
as much art and history as Naples has. The
newspapers never tire of reporting how this monument
is falling apart or that building is crumbling, and
you do notice the small run-down churches, some
closed for many years. Yet, much of the time, the
city does a good job of using the past. I am
referring to the great number of the city's public
buildings, universities, hospitals—and even police
stations—that are in well-restored monasteries.
Obviously, the Protestant Reformation in the
early 1500s and the religious slaughter dryly known as the
Thirty Years War (1618-48) changed the Roman Catholic
monastic tradition that had flourished in Europe since its
beginnings under St. Benedict at Monte Cassino in the
sixth century. In the 1500s and 1600s thousands of
Catholic churches and monasteries were destroyed, put out
of business, or converted to Protestantism in England and
Central Europe. Those events, however, left the heartland
of the Roman Catholic faith, Italy, largely untouched. The
Vatican States were left intact and the vast Kingdom of
Naples, half of the Italian peninsula, survived the
religious strife that had wracked northern Europe. Thus,
in the city of Naples in the year 1700, out of a total
population of 300,000, fully one-tenth of that number—one
out of every ten Neapolitans!—was either a priest, a monk,
or a nun living and working in the churches and adjacent
monasteries of Naples.
That did not change
significantly until the French took over the Kingdom in
1806. The anti-clericalism of the French Revolution closed
most monasteries in parts of Europe that were under French
control between 1795 and 1814; that included the
monasteries in Naples, which were closed by Murat's decree of 1812. Monasteries
in Naples never recovered from that, even after the
restoration of the old social order by the Congress of
Vienna in 1815. Later, the second great "suppression" of
monasteries in Italy occurred in 1864, after the
unification of Italy. Thus, in Naples, though there are
still some true working monasteries left, such as Santa Chiara, San Gregorio Armeno, and Camaldoli, most of the grand
old monasteries now serve other purposes, and it is
interesting to look at a few of these.
The City Hall of Naples
is the ex-monastery of the adjacent church of San Giacomo [St. James] degli
Spagnoli. It was built in the mid-1500s and was
vast. An inner passage connected the front of the complex
to via Toledo, the main road running behind it. That
passage was closed as a result of the construction of the
new Bank of Naples in 1939. (The City Hall is seen at
left-center, at the top of the square, in the photo of Piazza Municipio.) One of the
two structures on the hill above Naples is another
ex-monastery, the Museum of San
Martino. The photo at the top of this entry shows
the courtyard of the monastery of S. Maria La Nova.
Administrative offices for the city now occupy the
premises. (The church, itself, is still a church and is
the subject of item #3, below.)
Various
departments of the University of Naples have taken
over a number of former religious facilities. The Medical
School sits on the height at the old northwest corner of
the city, above today's Archaeological Museum and Piazza
Cavour. That university department has incorporated a
number of smaller churches and cloisters that themselves
were on the sites of ancient Greek buildings. Also, the
recently restored Cloister of Saints Marcellino and Festo
now houses the Paleontology Department (click here). The university
library, itself, is behind the modern university building
and is on the premises of the old Chiostro (Cloister) del
Salvatore, an immense structure built in the 1570s that
runs all the way up the hill behind the university almost
to Piazza San Domenico Maggiore.
It is still a tourist attraction because of its so-called
"courtyard of statues", a display of busts of illustrious
persons such as Bruno, Vico, and Aquinas.
Above: image of the
old Spirito Santo monastery is from 1890-1900
The Architecture Department of the University of Naples is currently
(2002) in the process of expanding to the premises of the
old monastery of the Church of the Spirito Santo (photos,
left & above, right). The entire complex was, indeed,
vast. It was built in the mid-1500s and the historical
marker near the entrance (photo insert) on via Toledo
marks it as a "Conservatory" for the poor, reminding us of
the original meaning of that word—a place to
help the poor and, in many cases, "conserve" orphaned and
abandoned children. (The extended meaning of "music
school" is, apparently, a Neapolitan coinage. (Click on
the 'Music Conservatory' link, below.)
The
massive building that now houses the State Archives
was originally the Benedictine monastery of Saints
Severino and Sossio (photo, right) and is in the heart of
the old city, near the intersection of Via dei Librai
("Spaccanapoli") and Via Duomo. The monastery was
one of the largest in the city and also one of the oldest,
dating back to the 10th century. It was also known as the
"cloister of the plane tree" as legend has it that the
original building was erected in a grove of trees of that
species (platanus), a specimen of which had been given to
St. Benedict, himself. (See this
separate link, as well.) The history of the first
few centuries of the monastery at different premises (the
so-called Lucullan Monastery
from the fifth century) remains obscure; true enlargement
of the premises started in the 1400s. Within the modern
building are to be found works of art depicting the
history of the Benedictine order.
Also, the Music Conservatory, the military barracks at
Monteoliveto, the School for
Architectural Restoration, and the Monastery of Piedigrotta are
other examples of religious institutions converted to
other use, mostly in the last 100 years. The list is,
indeed, long. Perhaps we do well to look at the gradual
conversion of monasteries to other uses not so much as the
result of forced closures, although that, too, did happen.
It is also a sign of the changing times. "Personal"
monasticism—that is, individuals going on religious
retreats once in a while to get away from it all—has
become somewhat fashionable recently, but there is no
doubt that large, full-time monastic orders are an
anachronism, witness the long decline in those willing to
enter upon religious callings such as the priesthood.
Very practical matters,
as well, play a part—modern urbanization, for example.
Some of the monasteries built in the 1500s in Naples were,
at the time, on the outskirts of the city. The church of
the Spirito Santo,
mentioned above, was outside the city wall and at the foot
of a bucolic hillside. Today, it is in downtown Naples.
Even more dramatic is an institution such as the Cloister
of Suor Orsola, a convent built in the mid-1600s halfway
up the hill to San Martino at the top. When Suor Orsola
was built, there was scarcely a trail, much less a road on
the hillside. It was in the country. That section of
Naples was opened to urbanization by the construction in
the mid-1800s of what has become one of the main
thoroughfares of the city, Corso Vittorio Emanuele. After
1901, the old convent functioned as a women's college and [update:
2010] recently has become part of the Naples university
system, with both male and female students.
entry
Oct. 2002, revised Mar 2009, July 2010 and Aug 2013
2. Camaldoli, monasteries
There
are still a number of monasteries and convents in
Naples, places of seclusion that will take you as a
paying guest for a few days and let you seek your Self.
One of the most tempting of such places is the Hermitage
of Camaldoli (photo, left). It sits on the hill in back
of Naples between Vesuvius and the Flegrean
Fields at almost 500 meters, the highest point in
the area. Even if you don't find your Self, you may at
least find some respite from the summer heat.
There has been
a Christian place of worship on that site since the late
5th century, the original church having been founded,
according to tradition, by St. Gaudioso. The
structure that one sees today, however, is more recent
by a millennium. It is from 1585 and was built by the
Camaldolese order, a Benedictine monastic order founded
in Tuscany in 1225 by St. Romuald. The architect was Domenico Fontana. The
current state of the premises is very fine, and the
inside of the church has been restored to its Baroque
brilliance. The large altar is attributed to Cosimo Fanzago, and there are
numerous prized works of art in the church: sculpture by
Salvatore Franco, frescoes by Angelo Mozzillo, and
paintings by such artists as Cesare Fracanzano (The Assumption of the
Virgin and the Saints) and Luca Giordano (The Holy Family with our
Heavenly Father) as well as Massimo Stanzione's
version of The Last
Supper. The general layout of the hermitage is
the result of a major restoration in 1792.
box added March 2017
Another Camaldoli
"Camaldoli" in Naples is now a place
name. We all call that hill behind the city
"Camaldoli" and that is the name on all the
maps and street signs. The toponym has
absorbed its history, so to speak—it
used to be a hermitage for the
Camaldolese religious order; thus, the
area around the site is still Camaldoli
even though this particular site is now
in the hands of a different order.
Indeed,
there are many 'Camaldolis' in the
world. The original
Camaldoli hermitage founded by Romuald is
today part of the town of Poppi, in Tuscany.
It can still be visited. Legend says that
Romuald rested near Fontebuona in Tuscany
and fell asleep not far from Casa Maldolo
(residence of one count Maldolo). Romuald
dreamt of living the monastic life and asked
for guidance from Elambert, bishop of
Arezzo, who encouraged him and sent him back
to count Maldolo where he had had the dream.
Maldolo was generous enough to donate
property for Romuald to found a hermitage.
Thus the name Camaldoli is a combination of
Casa and Maldolo. The
name has survived over a thousand years in
many places around the world.
At one time in the early
1600s there were a number of 'Camaldolis'
(that is, hermitages of the Camaldolese
Order) in the Campania area of Italy—in Naples, Salerno,
Torre del Greco, etc. One of them is
shown in the image (above). It is
Camaldoli of Visciano (near Nola),
incorporating the church of Santa
Maria degli Angeli (of the
angels) (pictured). It is on
the way from Naples to Avellino, atop
Monte Corona, just past Nola and
before you enter the bounds of the Partenio
National Park. Monastic life, of
course, is not what it used to be.
Under Napoleon and then after the unification of
Italy, monasteries and convents
in Italy were closed or at least
went through decades
of change, a kind of forced
secularization. Today, many are again
active centers of religious activity,
community life, and social
involvement. Camaldoli of
Visciano
advertises that it is always open to
visitors; it pursues educational and
agricultural programs, and the site
hosts meetings and takes paying guests
who want to stay a while. (So does
Camaldoli in Naples.) And who
wouldn't?
|
Like other monasteries
in Europe under Napoleon's control (Naples was ruled by
the French for 10 years; see Murat),
the Camaldoli Hermitage was closed during that period in
the early 1800s. It was reopened after the restoration
of the Bourbons to the throne of Naples and then closed
again in 1866 after the unification of Italy. In 1885 it
was again opened and returned to the Benedictine
Camaldolese order. That order left the hermitage in the
late 1990s, and
since that time the site has been the home to sisters of
the Bridgettine Order, an order of nuns originally and
still commonly known as the order of the Most Holy
Saviour of Saint Bridget--in Italian, Santa
Brigida. The original order was founded in Sweden by St.
Bridget of Sweden (or Vadstena) (Birgitta
Birgersdottir) (1303-1373), one of the best-known
of all Swedish religious figures, proclaimed a saint by
Pope Boniface Boniface IX in 1391. Santa Brigida is
otherwise well-known in Neapolitan history, and there is
a prominent church of Santa
Brigida in the city. She is said to have spent two
years in Naples (1365-67) on a pilgrimage that
eventually led her to Jerusalem.
Mary Elizabeth Hesselblad
The modern
Bridgettine order has about 800 nuns divided
into various branches with over 50 religious homes that
double as guest houses in Europe, the United States,
Mexico, Cuba, Israel, the Philippines, India and
Indonesia. The largest of these branches is the Swedish
branch, the one that runs the Camaldoli premises in
Naples. The Swedish branch was founded (re-founded,
really) in 1911 by Mary Elizabeth Hesselblad
(1870-1957. Photo, right, is from 1897). She was a
Swedish nurse known for her benevolent works and
attempts at interfaith dialogue; she was beatified by
Pope John Paul II in the year 2000. She was recognized
by Israel in 2004 as one of the "Righteous Among the
Nations" for her work in helping Jews during World War
II. Hesselblad was known as "the second Bridgette" and
figures prominently in the Camaldoli convent's
presentation of itself to visitors. (In Italy, besides
the center at Camaldoli, the order runs three centers in
Rome--including the mother center, St. Bridget's
House--one in Farfa Sabina in northern Lazio and one in
Assisi.) The current head of the Bridgettine Order
(since 1981) is Maria Tekla Famiglietti (born
in 1938 in the village of Sturno near Naples). The
entire premises, including works of art within the
church, have been recently restored; the grounds are
clean and lovely with ample gardens and a breathtaking
panorama of the entire gulf of Naples, a reminder that
for many centuries before the Camaldolese moved in and
informally gave the name of their order to the entire
hillside, the summit was simply called the
"Prospetto"--the view. As noted above, the convent
welcomes guests.
[Also see Peace & Quiet
& More
Heavenly Tales]
[There is also a Camaldoli
photo album here.]
entry Dec. 2002
3.
Santa Maria La Nova, monasteries
The original monastery and home
of the Franciscan order that inhabits the church of Santa
Maria La Nova was where the present-day Castel
Nuovo, or Maschio
Angioino, stands. In 1279 the order ceded that
property to Charles of Anjou for his new royal palace
and, in return, got the new site for their church.
Thus the name “Nova” (new) for this house of
worship with the elegant Renaissance façade. The
original ‘new’ church, then, was built in the late
1200s. That original Angevin building was removed in
1596 to make way for a new structure planned and built
by Giovan Cola di Franco. It is the church you see
today as you start into the old center of town via a
small side-street (photo) off of via Monteoliveto
across from the east side of the main post office. The
main altar is from 1633 and was designed by Cosimo
Fanzago.
The most spectacular work of
art within the church—indeed, one of the most
spectacular in the entire city—is the magnificent
46-panel gilded fresco on the ceiling (photo, right).
The fresco dates back to 1600 and is the collective
work of a number of artists, including Luca Giordano.
Various magnifying mirrors are set up at ground level
within the church to enable visitors to view the
ceiling more easily. The church, itself, is an
integral part of the whole monastic complex, much of
which now houses municipal office space.
Santa Maria la Nova was closed in
1980 due to damage caused by the earthquake in that
year; it was reopened in 1992 for a few years, at
which time visitors had the opportunity to view the
splendid magnificent interior of the church. It was
closed in 1997 for repairs to the building and, in
particular, to restore the ceiling fresco. It will
reopen on Jan. 4 with an orchestral and choir concert
that will be taped for later broadcast by the Italian
national television network.
This will mark the
beginning of what everyone hopes will be a
prosperous future for the building and adjacent
monastery. The church will no longer be a house of
worship. “There are enough churches in this area to
handle the demand,” says Father Giuseppe Reale of the
resident Franciscan order. Santa Maria La Nova will be
transformed into a Center for Sacred Music; the
acoustics are already known to be outstanding, and the
church organs are fine instruments and have been
restored. Most interesting—this is where the
“prosperous” part comes in—is the plan to turn part of
the monastery, itself (photo), into a four-star hotel!
This will be the second such Franciscan venture into
the hotel business in Naples. The San Francesco al
Monte hotel on the Corso Vittorio Emanuele,
overlooking the whole city of Naples and with a direct
view of Mt. Vesuvius and the Sorrentine peninsula, has
been open for a few months and seems to be doing well.
The Santa Maria La Nova hotel with “monastic style”
furnishings (for those who wish to engage in some
4-star meditation) with easy access to the auditorium
of the Center for Sacred Music) should be open in
2003.
[totally weird update
from 2014!]
entry
Aug. 2003
4. Cilento,
National Park; monasteries
The
light-green area is the province of Salerno;
within that, the darker green is the
Cilento and Vallo di Diano National Park.
Naples is the name of the city as
well as of the larger administrative unit—the province—of
which it is the capital. The province is, in turn, part of
the yet larger unit—the region—of Campania. The province
of Naples is not the largest in area in the Campania
region, however. That distinction goes to the neighboring
province of Salerno to the south.
The province of Salerno occupies about
3,000 square miles. About one-third of that area has been
given over since 1991 to the Cilento and Vallo di Diano
National Park, an area of great natural beauty and extreme
historic interest. The park is almost all mountains and
starts just below Battipaglia, running down to Sapri on
the coast at the end of the Campania region. The bulk of
the park occupies the rugged terrain called "Cilento," a
bulge on the coast that accommodates a section of the
Apennine mountain range that has wandered over from the
main line to drop off into the Tyrrhenian Sea.
That spur of coast
separates the Gulf of Salerno to the north from the Gulf
of Policastro in the south. Although the mountains are not
high by the absolute standards of the Alps (Monte
Cervati at 1900 meters—5700 feet—is the highest
summit in the Cilento), the relative height is impressive,
especially near the coast, where the immediate change in
altitude is from sea-level to the 1200 meters (3600 feet)
of Monte Bulgheria, a mountain that rises
immediately from the coast above and behind the town of
Scario.
It is this
section of the Cilento that provides some
fascinating glimpses into the history of Christianity. If
you stand in the little harbor of Scario, you look up at Monte
Bulgheria (photo, right)—an archaic Italian spelling
for "Bulgaria"—Bulgarian Mountain. It is in the middle of
southern Italy but is so-called because the area was
settled by refugee monks from the east over 1000 years
ago. The great Iconoclast controversies of the 8th and 9th
centuries drove a number of monks to escape the severe
persecutions of Constantinople (indeed, the most severe of
the "icon smashers" aimed to destroy monasticism, itself).
The monasteries founded in the immediate area of Monte
Bulgheria are Santa Maria di Pattano, San Giovanni
Battista, San Marcurio di Roccagloriosa, Santa Maria di
Centola, San Nazario di Cuccaro, Santa Maria di
Grottaferrata in Rofrano, Santa Cecilia di Eremiti, San
Cono di Camerota and San Pietro di Licusati. All of them
were founded between 750 and 950 a.d.
The southern Italian
peninsula of the 700s and 800s was not a bad place
for people looking to be left alone. There were long
periods when sections of the south were under only the
nominal control of a central authority. The Lombards had
invaded Italy late in the late 500s. In 800, they were
replaced by Charlemagne, the first Holy Roman Emperor, but
even that affected mostly central and northern Italy. In
the 800s and 900s the south stayed Lombard. First, it was
the large Duchy of Benevento; then, that splintered
through civil war into smaller units, one of which was the
Duchy of Salerno. All of this was
then gobbled up in the 1000s by the Normans.
Important for this brief discussion is that Lombards,
Salernitans, Normans— whatever—were all devout followers
of the western church. Yet, followers of the eastern Greek
church were, to my knowledge, pretty much left alone to
worship as they pleased, even after the schismatic
movements from Constantinople, first by Photius in 867,
and, finally, the schism in 1054 that officially separated
Christianity into east and west. There was not then —nor
has there ever been in southern Italy— any particular
persecution of the Greek Orthodox religion by Roman
Catholics. It is true, however, that, little by little
over the centuries, these eastern religious orders in
southern Italy became westernized and in many cases were
simply absorbed into the mainstream of the western
monastic tradition.
[related articles: The Abbey of Santa Maria di Pattano
- La
"Cattolica" in Stilo & Greek churches in Calabria
-
The Laurito
Frescoes - Grottaferrata,
a Greek Church in Italy -
to
Cilento portal
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