The first two items, below, appeared separately in the Around Naples Encyclopedia on the dates indicated and have been consolidated onto a single page here. After that, there is an update from March 2012 and one from March 2014.
The Villa Comunale is the most prominent and visible park in the city of Naples. It stands on reclaimed land, for, as early prints show, the sea once came right up to a rather swampy area, the site mostly of fishermen's houses. It wasn't until the 16th century, the beginning of the Spanish viceroyship, that a general campaign was undertaken to make the land suitable for the construction of the fashionable villas that sprang up in the 1600s along that section of the sea front. (Click here for a related item.)
The Villa was the result
of the wishes of King Ferdinand
IV, who, in 1788, decided he wanted a large wooded
area along the sea for members of the royal family to
stroll in. The park, thus, was open to the public only
one day a year, for the Festival
of Piedigrotta. They say that many marriage
contracts of the day even stipulated the husband's duty
to take his wife to the gardens on that day each year.
The park was opened to the general public on a permanent
basis in 1869 after the unification of Italy. The
seaside road, via Caracciolo, which now lies between the
aquarium and the sea, is another, more recent
reclamation project added to the topography of the city.
Until 1900, the sea rolled up to the villa, itself, and
coach traffic passed along the Riviera di Chiaia, the
road now bounding the inner side of the park.
The Villa Comunale houses the Anton Dohrn Aquarium (phots, above and right). In 1870 Anton Dohrn (1840-1909), German zoologist and disciple of Darwin, requested and got permission to build a “Zoological Station”—an aquarium—in Naples. He was given a site within the Villa Comunale; the project was begun in 1872 under Oscar Capocci and finished by the German architect Adolf von Hildebrand. Interesting artwork within the Florentine Renaissance building include murals by the German artist Hans von Mareès, who drew inspiration from characteristic fishing scenes of the Mediterranean, especially Naples and Sorrento. Since its inception, the aquarium in Naples has not only served as an exhibition of marine flora and fauna, but has also been a working research facility in marine biology.
The entire Villa
Comunale underwent remodeling a couple of years
ago. There seem to be fewer trees than before. Some call
it "pruning back". Some call it firewood. I haven't made
up my mind.
[2011 update: The condition of the trees in the Villa
is precarious at the moment due to the presence of the
palm tree pest. See this link.]
Elia Mannetta, the engineer from Baltimore who built the new aquarium in Genoa, will be in Naples in a week or so to help decide if the city of Naples needs a new aquarium and, if so, where to put it. There are three candidates: (1) in San Giovanni a Teduccio, a suburb of Naples just to the east along the coast; (2) Bagnoli, where a new aquarium would fit in nicely with the pedagogical ambitions of the Science City exposition and fair grounds as well as with a general rejuvenation of the area after decades of decay; (3) in the Villa Comunale, where a new aquarium would take the place of the older one, the Anton Dohrn Aquarium, in place since the 1870s. Choice number 2, Bagnoli, is probably the strongest candidate.
Very few Neapolitans would
like to see the Villa Comunale dug up and closed again
(as it was a few years ago for restoration) or see the
current aquarium demolished. It fits in with the general
old-fashioned atmosphere of the park—classical statues,
fountains, gazebo/bandstands, etc.—though that, too, has
changed a bit since the recent overhaul. Not only did
they chop down a lot of trees but they replaced a number
of 19th–century metal scrolls and curlicues along the
fence with more modern bulletoid metalwork that has
already midwifed an entire repertoire of suppository