The Antonio Cardarelli Hospital
Some months ago, I received this
bit of correspondence:
During WW-2 I spent two months in the 17th General Hospital (US Army which I believe was in the Vomero section of Naples, set high overlooking the bay and an exquisite view of Vesuvius. From the balconies you had a picture postcard scene in view. Is the hospital still there? If you know, what is its name now?
I didn’t know the answer, but that note was
from one Fred Hellman and led to his contribution to the WWII Oral
History items in these pages. It
also set me to finding out about a bit of history of
hospitals in Naples, including the one that Fred had
asked about, the Antonio Cardarelli hospital (pictured,
Depending on how one defines “modern,” the first great wave of modern hospital building in Naples was an outgrowth of the Spanish incorporation of Naples as a vicerealm in the 1500s. Some of those hospitals still function today (the “Incurabili”, for example). Using a more modern definition of “modern,” in the early 1900s a section of the western end of the historic center of Naples (near the church of San Pietro a Maiella) was cleared to make room for the new Policlinic Hospital —now called (of course!) the "old" Policlinic Hospital.
Today, however, the “hospital
section” of Naples refers to the great number of
hospitals in the “high Vomero” section of the city,
way up on the hill on the way to the Camaldoli
convent, a section of Naples that was countryside
until the twentieth century. The major facility up
there is the university clinic, a mini-city known as
the New Policlinic, opened in 1973. The first major
modern hospital in that area, however, is the one that
Fred asked about—the Cardarelli.
A wartime aerial view of the
Cardarelli in its role as
the US Army 17th General Hospital. (Photo from Fred
Hellman, courtesy of the Conrad R. Lam archives of
the Henry Ford hospital in Detroit, Michigan.)
of the Cardarelli hospital
(on a 28 hectare site—about 70
acres) was started in 1927. The architect was
Alessandro Rimini. The Nuovo
Ospedale Moderno di Napoli (The
New Modern Hospital of Naples) was called, more
simply, "The 23 Marzo" (March 23rd, the day on which
the Fascist Party was founded in 1919 by Mussolini).
It was opened in 1934. The entire grounds, themselves,
with various out-structures dedicated to different
specialties, were completed in 1939/40.
In WW2, the hospital was used first by the Germans and then the Americans (as the US Army 17th General Hospital). The original Fascist name for the hospital was abandoned after the war (although the 1934 date, expressed in the Fascist numbering as "XII E.F." remains on the facade (or, possibly, has been restored); the hospital was renamed for Antonio Carderelli (1832-1927), one of the great names in Italian medicine in the early part of the twentieth century. A heliport was added to the facility in 1974. By the 1980s, it had become the most important hospital in the Campania region of Italy. In 1988 a new section for orthopedics and rehabilitation was added. In 1990 Pope John Paul inaugurated a new Emergency Room—a five-story building (!), one of the best equipped in Italy in terms of staff and equipment. The hospital remains extremely active today. Architecturally, the almost 18th-century Vanvitelli look of the main facade contrasts starkly with the solid 1930-ish Art Deco interior typical of so much architecture in Italy of that decade (photo, below)—straight lines and rectangles, unornamented, flat, efficient and white. (See also this item on architecture.)
The life of the architect, Antonio Rimini, was dramatically shaped by war. He was born in 1898 in Palermo and studied art in Venice at the Academy of Fine Arts. He gave up his studies because of World War I, a war in which he was taken prisoner. He survived the life of a POW in Germany by bartering his sketches of other prisoners for food. He finally escaped to Holland. (He said of his wartime experiences, “I owe my life to my art.”) In the early 1920s, he got a degree in architecture and dedicated himself to the restoration of monuments, churches and other buildings. He quit that in the mid-1920s and went into free-lance architecture. Besides the Cardarelli hospital in Naples in 1927, he designed Milan's first skyscraper, the S. Babila building, in Milan (1936) as well as a number of other buildings in that city.
Rimini, however, was a Jew and
thus excluded from his professional guild in 1938 by
the Fascist racial laws. He was arrested by the German
SS in 1944 and interned at the camp in Santa’Agata
Fossili in the extreme north of Italy. Then, however,
he was put on a train bound for Auschwitz. The good
news is that once again his art saved his life; he
used his artistic skills to dummy up an arm-band that
identified him as a member of the Italian police (the
north was still Fascist at the time); he then brazened
his way past his captors, got off the train and
escaped to freedom. He hid out in Milan under a false
name until war’s end. He took up his architecture
again, deserting it in 1955 for painting, his real
love. He died in Genova in 1976. The Cardarelli
hospital put on a Rimini exposition in 1997 on the
occasion of the 50th
anniversary of the founding of the hospital.