A Museum
of Southern Italian
Criminal Types?
As Italy prepares for a
year-long run-up to celebrate her 150th anniversary as
a unified state, a Neapolitan journalist by the name
of Angelo Forgione has written a column of outrage at
the reopening in Torino of the "Cesare Lombroso"
Museum of Criminal Anthropology (photo, right).
Cesare Lombroso (1835-1909) was the founder of what is called Italian Positivist criminology, Positivism
being the 19th-century philosophical movement that
said we can only know what our senses tell us. (That
is, we shall not worry about God, innate knowledge,
free will, or anything else that you can't line up and
itemize.) That philosophy was, thus, at the heart of a
great push to measure and catalog, to dot i's and
cross t's and, in the field of criminology, to explain
and predict criminal behavior. Lombroso
espoused the view that criminality
was not part of the normal human condition, nor was it
caused by societal conditions. Rather, it resided in
individuals who were, by nature, savage throwbacks and
who could be identified by body type, mainly skull and
facial features such as large jaws, low sloping
foreheads, high cheekbones, shape of the ears, etc.
The criminal, Lombroso says (in Criminal Man,
1876), is "...an atavistic
being who reproduces in his person the ferocious
instincts of primitive humanity and the inferior
animals."
The Museum of Criminal Anthropology
is a showcase for Lombroso's idea of the
“born criminal.” There are on
display 400 skulls plus photos, casts, and models of
heads —examples
of the criminal "Southern race type" as Lombroso
described it in 1902 in his article "The Last Brigand,”
in the journal La
Nuova Antologia, which focused on the recently
arrested Calabrian outlaw, Giuseppe Musolino. The nucleus of the museum was Lombroso's
private collection of skulls, skeletons and brains,
which he had started to collect as a military doctor in
the late 1860s. In 1878 Lombroso became professor of
forensic medicine at the University of Torino, and the
collection then moved into the university laboratory of
forensic medicine and experimental psychiatry. The
collection grew and was displayed publicly on various
occasions in the 1880s such as the Torino Exposition in
1884, the International Penitentiary Congress in Rome in
1885, and the Second International Criminal Anthropology
Exposition in Paris in 1889.
From the hey-day of the 1880s and 1890s,
criminal anthropology went into decline very quickly because there
began to develop other sociological points of view.
These views saw societal
factors such as poverty, membership in subcultures,
and low levels of education as plausible causes of
criminality; even more radically, Émile Durkheim said
(in On the
Normality of Crime, 1895) that crime was not a degenerate
condition but was part of the "fundamental conditions
of all social life." Some crime even served the social
function of releasing tensions and thus had a
cleansing or purging effect in society! And in 1913,
British criminologist Charles Goring published The English Convict,
a comparative study of jailed criminals and law-abiding
persons and found no correlation between criminality and
physical type. Criminology had become much more
complicated than cataloging facial features, and Lombroso's criminal anthropology lost its
scientific credibility. His collection was eventually
relegated to somewhat of a curiosity
housed within the Dept. of
Forensic Medicine of the University
of Torino.
Enter
the objections to the reopening of the museum. Here, we do well to remember that the idea of
superior and inferior races was very much a part of
mid- and late-19th-century thought (usually white
northern European thought) that said of course (!)
white Nordic peoples were superior to darker southern
ones. If you then search out proof to support only what you already believe, you
can wind up with such things as display cases full of
"criminal types." And that is the essential accusation
by Forgione and thousands of supporters from southern
Italy who are preparing to demonstrate in Torino. The
museum is a fraud, they say, and contains not real
outlaws, but mostly examples of southern Italians politically
defined as "bandits" because they were part of the
small but unyielding body of soldiers in the armies of
the Kingdom of the Two Sicilies, thousands of southerners who rejected the
unification of Italy. They refused to lay down their
arms after the Bourbon surrender in early 1861 and
were then captured and shipped north to concentration
camps (camps for which the columnist uses the German
word Lager,
just so you don’t miss the point). There they
languished between 1863 and 1872. Many died and —again, still according
to the columnist— their remains
were later picked over for display in Lombroso’s
museum as examples of the so-called southern Italian
criminal type. They were simply
soldiers who lost a war, and whose
remains were desecrated and put on display.
Forgione uses the
occasion to cite statistics of the numbers of southern
towns razed by northern troops in order to capture
"bandits' after the unification of Italy. That number is 54. He
cites the total number of post-war (!)
southern dead at an astonishing one million, all of it
done under the Pica Law, which put the new part of
Italy (the south) under martial law in order to combat
"banditry" and crush resistance to national unity
through military courts, executions, and reprisals
against civilians. The columnist also chose a day for
his column when most newspapers were focused on the
remembrance of the Holocaust — again, just so you don't
miss the point.
The charge is serious. In the arena of international criminology, Lombroso's work is still reported to be based on his comparisons of criminals in jail to law-abiding soldiers in the Italian army, and modern criminology has for many decades been straightforward in its judgment: Lomroso's ideas simply don't hold up. Here, however the charge is not that the science was weak or flawed or even downright wrong (that is no longer controversial —it was all of those), but rather that Lombroso willfully front-loaded his museum in an attempt to support his idea of the southern criminal type. If that is what happened —if the "bandits" committed no other crime than rejecting the new Italy— then the museum was founded on a political agenda and is a fraud. On the one hand, we don't close museums because they show how wrong some science used to be. As a matter of fact, that may be all the more reason to keep them open. The director of the museum, Silvano Montaldo, has said, in defense of the museum, that the museum is not peddling racist views and that it goes to great lengths to point out Lombroso's errors. The museum is, however, part of the history of Positivism in 19th-century and is an important part of the history of science. If, on the other hand, the museum displays were willfully skewed to support a political goal, that should come out. Those are all very big if's. To my knowledge, non-Italian criminologists have not shown awareness of the political, north/south Italian prejudices at the heart of this current dispute.
I am not quite prepared to believe that Cesare
Lombroso was dishonest. His views, however, may have
been shaped by his service as a doctor in the northern
armies during the wars of unification, decades of
struggle during which the north widely believed itself
to be the bringers of light to the dark and backward
south. I still want to think that he would be anguished
to know that his museum would later come to be seen as
the forerunner of racist displays in Nazi Germany, where
he, himself, a Jew [born Ezechia Marco Lombroso], might
have wound up in a display case. Also, it is not my
intent to ridicule him in hindsight or to set him up as
a strawman for an attack on theories of the biological
basis of human behavior. There is certainly modern
interdisciplinary work in what is broadly
termed "sociobiology" that bears
on the subject.
[Also see "Risorgimento,
anti-Risorgimento & Bandits".]
(I am indebted to Profs. Warren Johnson and William Henderson of the University of Maryland for their comments on a draft of this item. I remain responsible for any mistakes or oversimplifications.)
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