The
Scribe. Lo scrivano, in
Italian. There is a 1954 film called Miseria e Nobiltà in
which the great Totò plays the role of a scribe—that
is, one who wrote letters for people who could not
read and write themselves. Generally, scribes parked
themselves in obvious places, such as in front of the
post-office and waited for clients. The scene with
Totò was meant to be funny—and is. Illiteracy, itself,
is of course no laughing matter. The most recent
(2005) UNESCO numbers say that Italy, in general, has
a 1.3% illiteracy rate, an average of 0.9% for men and
1.6% for women. (That is, more or less, on a par with
other European nations). Regional statistics are
harder to come by, as are calculations of "functional
illiteracy" (you can sign your name but can't read the
want-ads to look for a job). In general, the rate is
conceded to be higher in southern Italy than in the
north. I personally know one illiterate in Naples, an
elderly woman who grew up on a isolated farm in the
1930s and whose parents simply never sent her to
school; she stayed on the farm and worked. That was
illegal but common rural practice. The scribe in this
drawing is male—always the case—and the client female,
though it could as well have been a male (as in the
film with Totò). The sign on the front of the table
advertises the fact that the scribe can translate from
French, as well.
The Travelling Hairdresser. The card is labelled Capéra, a dialect word for hairdresser. This very drawing is on the wall of the hairdresser my wife goes to. The proprietor thinks it's funny that people in his profession used to actually go to a woman's home to do her hair. In olden days, mostly women did this job, one not to be confused with that of the barbiere (barber) for men. Actually, for enough money, I think you could still get someone to come over and do the job.


The Franfellicaro. I had to ask around. Most people know the dialect word franfellica as an insult. If you call a person a franfellica, it's roughly like saying "You look like something the cat dragged in." Strangely, though, it took me a while to find a person who actually knew what the object, itself, was and, thus, what a person did who actually sold these things. A franfellica is a soft caramel candy, the forerunner to the lolly-pop. High-tech vendors (not in this drawing, as far as I can determine) would actually poke a stick in one end of the candy and you could eat it without getting your hands gooey.